So each fashion project ends with a photo shoot and illustrations. This time to close this project, I decided to draw illustrations for sighted people and dot my technical drawings for blind people to understand my clothes. During my braille research, I came across a polaroid camera that helped to take braille pictures for blind people. Okay, I can’t exactly say it’s braille since it dots the shape of the object and doesn’t utilise the language but you know what I mean!
So, I studded the lines to allow them to feel the outlines of my clothes and possibly the different parts in it. If I had more time, I would perfect the dotting system, perhaps using the same sized dots for everything and getting all the spaces right.
This braille concept has so much more space to explore and I don’t feel like I’ve totally exhausted everything. Maybe womenswear next?
So each collection culminates into a photoshoot and with this collection, some suggested that I do an outdoor shoot at sea but I chose to go with a studio shoot, intending to make a lot of blur shots, showing a person in motion but the clothes in clarity.
It’s pretty amazing what photographers do. Many of us think that their products are just pictures and almost anyone could do it, but when you get down to the technical side, there’s way more to photography than you know! “What’s the aperture? And the ISO?” Frankly speaking, I usually just move the aperture to the lowest or to a reasonable number and play with the shutter speed. There’s so many combinations to play with that I just need to settle it down to one thing, thank you.
So here are some of the unedited photographs from our shoot. I’m saving the blur photos for editing (yes, photoshop everything). I LOVE the silhouette shot though! It fits the whole “fishing in the dark” theme SO WELL.
PS: The pictures have some red and blue marks everywhere but that’s cause the Jpeg had to be downsized. Everything is supposed to be black!